ICT, transfer, and boundary crossing in VET – part 2

As I explained in a previous post, in our current research project my colleagues and I are interested in studying why and how vocational teachers understand and design for boundary crossing through the use of ICT-based artefacts. The research project is guided by the following two main research questions (RQs):

RQ1: In what ways and why do VET teachers use ICT-based artefacts as boundary objects to design for boundary crossing and continuity in and across different contexts?

RQ2: What didactic and pedagogic recommendations can support VET schools’ future work with establishing enhanced school-workplace interaction through the use of ICT?

A couple of important points should be made regarding these RQs. First of all, at the Metropolitan University College, we are obligated to conduct “applied research”, which means that besides generating new knowledge, the research must be directed towards “a specific practical aim or objective” (cf. OECD’s Frascati manual). This obligation influences both the identification and formulation of RQs, and as seen in RQ2, we have to conclude our research with concrete recommendations for practice, and ideally these recommendations should be “field validated” by practitioners through our research. In our case, we develop didactic and pedagogic materials (models, cases, exercises etc.) the in-service VET teachers can use when they participate in our educational programme*, and hopefully also when they’re back in their schools.

Another point has to do with our use of the term “didactic”. In a Scandinavian or German academic tradition, our a study would be situated within the field of Didactics. However, according to Hamilton (1999), in the Anglo-American mind, the term “didactic” may have very negative connotations implying a moralizing and heavily teacher driven approach to teaching and learning. Professor emeritus, Karsten Schnack from the Danish School of Education (Aarhus University) therefore recommends Danish scholars to avoid using the term when communicating in English (Schnack, 2000). While we don’t subscribe to a moralizing and teacher driven approach, we do recognize this aspect, and so in general when we present our research outside a Scandinavian context, we use the more neutral concept of “design for learning” (cf. Wenger, 1998).

To further guide our research, we have some additional sub-RQs as well:

  1. How and why is boundary crossing and continuity understood and practiced?
  2. How and why are boundary objects understood, designed and used as mediating artefacts?
  3. What types of ict-based artefacts can be identified as boundary objects, and what didactic and pedagogic pros and cons can be attributed to these?
  4. What types of ict-mediated boundary crossing can be identified, and what didactic and pedagogic pros and cons can be attributed to these?

As the reader will notice, we are using the concept “boundary crossing” and not “transfer” in our RQs, even though our project in Danish is entitled “ICT and transfer in VET”. According to Akkerman & Bakker (2012):

Boundary crossing is a concept that has been proposed as an enriched notion of transfer (Tuomi-Gröhn et al., 2003), but differs from transfer in various ways. First of all, whereas transfer is mostly about one-time and one-directional transitions, primarily affecting an individual who moves from one context of learning (e.g. school) to one of application (e.g. work), the notion of boundary crossing includes ongoing, two-sided actions and interactions between practices (Säljö, 2003). Second, whereas transfer emphasizes the need for similarities between practices, boundary crossing is about finding productive ways of relating intersecting dissimilar practices. (Akkerman & Bakker, 2012, s. 155 – my emphasis)

In a Danish VET practitioner context, however, the concept of boundary crossing is unknown and our research dean therefore recommended that we use the more traditional transfer concept. We have, nonetheless started to use boundary crossing and boundary objects in our teaching.

Further, as already stated in the above mentioned first post on our project, we are constantly challenged by the similarities and differences between the concepts.

/Mariis

*) In Denmark, VET teachers are obligated to attend in-service further education, and at the Metropolitan University College we offer such programmes.

References

Akkerman, S.F. & Bakker, A. (2012). Crossing boundaries between school and work during apprenticeship. Vocations and Learning. 5:153-173

Hamilton, D. (1999). The Pedagogic Paradox (or Why No Didactics in England?). Pedagogy, Culture & Society. Vol. 7, No. 1. pp. 135-152.

Schnack, K. (2000). Er didaktik og curriculum det samme? Danmarks Lærerhøjskole.

Wenger, E. (1998). Communities of Practice. Learning, Meaning, and Identity. Cambridge University Press.

Tomatoe, tomatoe – Didactics, … ?

I’m currently writing about the conventions that I’ve chosen to use in my PhD-project. Essentially, my study investigates the development of a design for teaching and learning remediated in the 3D virtual world, SL. In a Scandinavian or German academic tradition, such a study would be situated within the field of Didactics. However, according to Hamilton (1999) and Schnack (2000), in the Anglo-American mind, the term “didactic” has very negative connotations implying a moralizing and heavily teacher driven approach to teaching and learning. At the Master Programme on ICT and Learning (MIL), where I have conducted my research, we often use a didactic-based terminology (e.g. we often speak about didactic elements, didactic analyses, and didactic design), at least when we communicate in Danish. Despite our terminology, we do not adhere to the Anglo-American perception. Nonetheless, Professor emeritus, Karsten Schnack from the Danish School of Education (Aarhus University) actually recommends Danish scholars to avoid using the term when communicating in English:

In English the term “didactics” is rarely used. The reason probably is that the word has strong associations with the adjective form “didactic”, which is more often used. And for some reason “didactic” has a very negative ring to it. When something is done in a “didactic” way or didactically it is considered to be moralizing and/or heavily teacher driven in a negative way.

Since didactic considerations e.g. in Denmark almost always deals with the contrary, a good advice is to avoid using the words “didactic” and “didactics” in English communication. The risk of misunderstandings is very high.”(Schnack. 2000:2 – my translation)

Because of this language barrier it has become customary for many continental European researchers within the field of teaching and learning to either use the German word “Didaktik” or simply use Anglo/American terms e.g. “instructional design” when describing their activities. Accordingly, and mainly to avoid misunderstandings because I write my dissertation in English, I have decided to use the more neutral concepts of “pedagogy”, and “design for teaching and learning” when speaking about matters concerning the field and the process of designing. While this is not something I deal with in greater details in my PhD, I actually don’t think this is “just a matter of semantics” – there is a distinction that makes a difference. The way we construct, interpret, clarify, and negotiate meaning – even based on similar words – changes over time, but also within and cross cultures.

Turning to the term Didactic, there is absolutely no consensus in the literature regarding the meaning  – not even when looking at the origin – the Greek “didaskein”. Even 2.500 years ago, according to Jank & Meyer (2006), the term didaskein could have several meanings; “to teach”, “to be instructed” and “to learn” and the term didaxis refered to both curriculum (primarily as content) and what was learned (outcome). Even though there has been a tendency towards focusing on the teaching aspect of the term Didactic, many Scandinavian researchers refer to the so-called “Didactic Triangle” when trying to explain the basic components of Didactics.

DD

When dealing with teaching and learning, and at the core of any Didactic Design, there’s always a minimum of three basic components to consider: the teacher, the student and the content/subject matter. However, depending on your focus, the triangle can also be used to point to different, more specialized design approaches:

  • Pedagogical Design – with particular focus on the pedagogical practice typically emphasizing the responsibility/role of the teacher
  • Instructional Design – with particular focus on development and implementation of tools and content (materials)
  • Curriculum Design – with particular focus on content based on curriculum as organizational framework for practice
  • Learning Design – with particular focus on the learning practice typically emphasizing the responsibility/role of the learner

Since I use the term Didactic in a very broad sense, I would consider any of the above mentioned approaches didactic designs as long as they were dealing with teaching and learning in formal, educational contexts. During my PhD research, I have often presented and discussed my work with Anglo-American educators/researchers, and while most seem to understand what I’ve been working on as long as I remember to say “instructional design”, the irony is that to many Scandinavian researchers this label implies “a moralizing and heavily teacher driven approach to teaching and learning.” So I guess in order to understand each other, we need to dig deeper and discuss the finer details of our practices and understandings ;-)

One matter of detail that I’ve often discussed, both with Danish and International colleagues, is the locus of control in the teaching and learning situation. I was recently reminded of a very interesting pedagogical framework developed by Niels Jakob Pasgaard, who blogs at eDidaktik. Pasgaard’s framework is based on a distinction between a monological, a dialogical, and a polyphonic way of teaching. It is derived from the work of M.M. Bakhtin, and Pasgaard uses the Didactic Triangle to illustrate his points:

Mono-Poly

Read a more detailed description here

What’s really interesting about this framework is the way it highlights the different approaches to the selection of the content/the subject matter, and the way knowledge is created based on different forms of teaching and learning. Furthermore, the framework can be used to analyse and thus select appropriate tools for teaching and learning – and Pasgaard offers examples of all three types here.

To me, Pasgaard’s framework is an excellent example of how the work of someone coming from a Scandinavian Didactic tradition doesn’t necessarily equal a negative approach to teaching and learning, rather – and as a core principle in Didactics – Pasgaard critically reflects upon our practices and understandings. Just as I have witnessed several Anglo-American “instructional designers” do.

/Mariis

References

Hamilton, D. (1999) The pedagogic paradox (or why no didactics in England?), Pedagogy, Culture & Society, 7:1, 135-152

Schnack, K. (2000) Er didaktik og curriculum det same? Danmarks Lærerhøjskole.

Jank, W & Meyer, H. (2006) Didaktiske modeller. Grundbog i didaktik. Gyldendals Lærerbibliotek.

Evaluation, Literacy and Transliteracy

As previously described I’ll be using my Connective Model for ICT-remediated Didactic Design for the general analysis of my PhD data. A first step in this process is working with the 9 basic elements in the model and in this post I’ll focus on some preliminary work I’ve done on the element of Evaluation as depicted in the model below.

Given that definitions shape the way we think about and practice particular phenomena the very act of defining something should not be done without prudence. I’m quite confident that working with the different elements in the model will refine the way I’ll end up describing them, so for now I settle for working definitions and as such I’ve found inspiration in UNESCO’s definition of Evaluation and after modifying it so that it fits better into my study field of Didactic Design it would read as follows:

Evaluation means arriving at a value judgment on the basis of measures (qualitative or quantitative) considered to be valid and reliable, which compare the actual results of a Didactic Design with its anticipated results.

The element of Evaluation is to some degree connected to all the other elements, but according to the working definition there is a particular strong connection to the element of Goals, since this is where we can derive the criteria for evaluating the results. When dealing with Didactic Design there will always be a least two major perspectives from which we can look upon certain elements, namely the teaching perspective and the learning perspective, and in what follows I’ll present some initial reflections on the particular part of evaluation that concerns the evaluation of learning outcome/results. To do so I want to dwell a bit on the concept of Literacy, which I consider to be vital when discussing the purpose and goals of especially formal education.

In its most narrow sense literacy refers to the ability to read and write, but used as a more general concept literacy refers to being knowledgeable or educated within a particular field. In an interesting UNESCO report on the plurality of literacy and the concept’s connection to the right to education as stated in article 26 of  The Universal Declaration of Human Rights of 1948, the evolving notion of literacy is discussed and defined: “Literacy is the ability to identify, understand, interpret, create, communicate and compute, using printed and written materials associated with varying contexts. Literacy involves a continuum of learning in enabling individuals to achieve their goals, to develop their knowledge and potential, and to participate fully in their community and wider society.” (UNESCO.2004:13). Above all the plurality of literacy refers to the many fields in which literacy can be employed – specific literacies denominated by prefixes such as information, computer or media to name a few.

In my research on literacy I recently came across a very interesting article in First Monday that explores the concept of Transliteracy, which the authors Thomas; Joseph; Laccetti; Manson; Mills; Perril & Pullinger. 2007 define like this:

Transliteracy is the ability to read, write and interact across a range of platforms, tools and media from signing and orality through handwriting, print, TV, radio and film, to digital social networks. (Thomas et al. 2007)

What interests me the most is actually not the definition, but rather the idea and purpose of developing some sort of meta-literacy concept. According to the authors Transliteracy can be characterized as:

  • a possible unifying perspective on what it means to be literate in the twenty-first century
  • an extension of transliteration that also includes the increasingly wide range of communication platforms and tools at our disposal
  • a concept that calls for a change of perspective away from the battles over print versus digital, and a move instead towards a unifying ecology not just of media, but of all literacies relevant to reading, writing, interaction and culture, both past and present
  • a concept that doesn’t replace but contains both media and digital literacy
  • a possible literacy for (media) convergence
  • a concept of not just computer–based materials, but about all communication types across time and culture
  • a concept that insists on a lateral approach to history, context and culture, an interest in lived experience and a focus on interpretation via practice and production
  • an inclusive concept which bridges and connects past, present and, hopefully, future modalities
  • a concept that pays attention to the whole range of modes and to the synergies between them to produce a sense of a ‘transliterate lifeworld’ in constant process
  • both a concept and a practice productively situated in a liminal space between being a new cognitive tool and the recovery of an old one
  • a concept that deliberately refuses to presuppose any kind of offline/online divide
  • the kind of literacy we require to be able to simultaneously attend to multiple media and modes of communication as well as the kind of literacy we use to apply the literacies of one mode or medium to another one

Based on these characteristics I would interpret Transliteracy as a meta-literacy and I do find the characteristics both relevant and much needed in trying to define some sort of unifying literacy. The authors describe their work with the concept as a work in progress and “a good example of open source thinking between diverse collaborators” and they encourage further discussion and development of the concept. First author, Sue Thomas and her co-writers are all involved in the Production and Research in Transliteracy (PART) Group at the Institute of Creative Technologies (IOCT) at De Montfort University, UK and they’ll be hosting a conference on Transliteracy on February 9th 2010, which can be followed via several social media. In the video lecture below Sue Thomas explains the concept of Transliteracy based on the above mentioned article:

Returning to my interest in Literacy and especially new forms of literacy, I believe that there is a strong need to consider and develop new ways/methods of evaluation of learning outcome – not least when the learning processes and products have been facilitated by ICT-remediated Didactic Design. In this process of developing new evaluation methods, I think concepts like Transliteracy can prove quite valuable in giving indications of what criteria to focus on. Especially in Academia we seem to be stuck in using evaluation criteria and methods based on traditional literacy giving primacy to old media and modalities. Quoting Yancey. 2004: 90 “we use the frameworks and processes of one medium to assign value and to interpret work in a different medium”, which obviously is not the most appropriate way of accommodating the use of multiple and/or new media. In my third research cycle in the MIL case, I experimented with both criteria and methods of evaluation, and the results from this experiment will form the basis of a forthcoming post on evaluation of new media productions/compositions…

/Mariis

Connective models for Didactic Design

As previously described my PhD-project is aimed at improving Blended Learning within Higher and Further Education through remediation and redidactization. Through a process of designing and redesigning two specific Blended Learning courses within 6 research cycles the aspiration is to enhance learner experience and learning outcome by using new augmented/immersive 3D media and a learner centered Problem Based pedagogical approach. In both cases the target group is adult teachers/ trainers from the educational and the private/industrial sector from different countries. Having teachers/trainers as target group has made it quite natural to situate my work within the field of Didactics.

Especially in Northern Europe Didactics refers to a field of research and practice concerned with reflections and actions related to teaching and learning. Historically the field has been teacher-, goal- and/or content-centered, but since the mid 1970’ies we have – at least in Scandinavia – seen an almost paradigmatic shift to a more learning and learner-centered approach.  In Denmark this shift was above all initiated by the establishment of two new universities, in 1972 Roskilde and in 1974 Aalborg (where I work) that were founded in clear opposition to the “Old(fashioned)” universities by using an overall pedagogical approach based on Problem Based Learning and Project Organization in an attempt to amplify student motivation, engagement and learning with higher relevance for the surrounding society.

Within teacher/trainer education Didactic Analysis, as a means to learn how to plan, act, observe and reflect on didactic practices, has been a core component of the curriculum, and especially one model for didactic analysis has gained widespread use, namely the so called “Didactical Relationship Model” by Norwegian education researchers, Hilde Hiim and Else Hippe. Building on the work of fellow countrymen, Bjørndal and Lieberg (whose original model was more teacher-centered), Hiim and Hippe developed the model to show some important relations between different elements in Didactics using a learning theoretical approach. An English description of the model and the use of it in developing an online tutorial for Information Literacy can be found here.

In my PhD-project I currently have data from 4 completed research cycles and I’ve decided to use modified versions of the Hiim & Hippe model as part of my analytical strategy, which will consist of several phases progressing from a general to a more specific focus on didactic elements I find relevant in my particular case. Throughout the different phases I will be using different models, but as I find Hiim & Hippe’s model useful in depicting important relations and elements for general analysis, I’ll start by presenting this model briefly.

As mentioned above the model shows 6 important elements in a teaching/learning situation, these elements are interrelated and so influence each other in various ways and to various degrees. Even though I find the concept of depicting interrelated elements valuable, I don’t agree on the chosen elements, the description/content of the elements and the semantics in general. In my dissertation I will of course elaborate on this, but for now I will turn to my own revised models.

At the Master Programme in ICT and Learning (MIL), where I conduct most of my teaching and research, my colleagues, Bo Fibiger (1945-2008) and Birgitte Holm Sørensen originally conceived the concept of Didactic Design and combined with the use of Information and Communication Technology (ICT), Sørensen today defines it as: “The process by which the purpose, the goals and the content is determined, and where the planning, the organization and the arena for teaching and learning is shaped based on theories and in relation to ICT-based practice in a context.” I agree on the essence of the definition, but I also see Didactic Design as a result/product and sometime down the line I will also work on revising this definition. For now, the important point is that I consider my work to be part of the emerging field of Didactics combined with ICT and as a consequence my revised model is aimed at Didactic Design as depicted below:

In line with Hiim & Hippe’s model, my model also portrays important didactic elements, but I have chosen to add a few more elements, substitute one and rename some of them. I also prefer to speak of connections instead of relations, while the latter to me implies some sort of personalized bond that I don’t see between all the elements that are interconnected. I suspect that the major reason as to why Hiim & Hippe’s model has gained such popularity has to do with the fact that the elements are quite generic and thus enable the user of the model to define sub-elements depending on own needs and purpose.  One could argue that the elements I’ve added already are part of Hiim & Hippe’s model as sub-elements, but by highlighting them I believe greater emphasis can be obtained. While I do consider the elements in my model to be generic too and that my work with the model will refine the content/sub-elements, I do have some preliminary reflections.

  • ICT – in Hiim & Hippe’s model part of the setting. In my point of view the use of ICT has the potential of changing the Didactic Design quite dramatically and should as such not just be a sub-element. Furthermore the use of ICT has been written into the curricular of most educational practices from pre-schools to HE in Denmark.
  • Teacher(s) & Learner(s) – in Hiim & Hippe’s model people are absent at first glance. The Teacher is considered to be part of the setting and I guess that since the model is aimed at describing learning conditions and learning processes the student is somehow inherent. Based on my own teaching experience I, however consider the people involved in the Didactic Design to be the most influential element. This does not mean that I don’t consider the conditions (e.g. prerequisites) for teaching and learning to be important. On the contrary, but I think there is an acute need to focus on teachers’ conditions separately – especially when we combine Didactics with ICT.
  • Goals – in formal education goals are dominated by curriculum, but depending on theoretical foundation they can be formulated and attained more or less teacher-driven. One of the major advantages of a Problem Based approach is exactly the possibility of sharing the responsibility for this element between all participants in the Didactic Design.
  • Content – another element typically determined by curriculum and goals, but again within a Problem Based and especially Project Oriented approach this element can be based on collective decisions.
  • Contexts – teaching and learning doesn’t happen in a vacuum. Didactic Design is always situated, but not restricted to physical buildings or formal settings.
  • Activities – another very important element that shapes the teaching and learning processes possible and therefore also potential outcome.
  • Evaluation – Hiim & Hippe use the word assessment, which I think mainly relates to the learners and I do believe that a critical review on the teacher(s) and the teaching also is an important part of sustaining quality and I think that evaluation better covers this.
  • Time – is a crucial element, but is often missing in models and theories of teaching and learning despite the fact that there seems to be consensus on the fact that learning at a certain level actually takes a lot of time. Besides the time available for learners another sub-element could be time available for the teacher(s). In my experience many teachers/trainers find especially ICT-integration difficult and frustrating precisely because they don’t feel that they have sufficient time to learn to master the technologies and subsequent practices.

Besides revising the number and to some extend the content of the elements, I’ve also chosen to place the elements within a frame illustrating the point that Didactic Designs within formal education generally function as quite closed systems with very little permeability. Usually the influence from external factors (e.g. political, economical and other societal factors) is much greater than the other way.

In my PhD-project I’ve been working with 2 different cases. The MIL course (3 research cycles) and the COMBLE course (1 research cycle). In the MIL course the majority of the activities have been online, whereas the COMBLE course was 100% online, and I would describe the Didactic Design in both cases as having been ICT-remediated. In Bolter & Grusin’s original concept remediation refers to the process whereby new media refashions older media, but when we start to rely more and more on ICT/new media in our practices, I would argue that not only the media are refashioned, but there is a potential and in many cases a need to also reconsider and most likely revise the other elements in the model. These considerations have led to the next model:

It may come as a surprise that the model doesn’t appear that different, but that’s actually an important point of mine. ICT-remediation constitutes a potential for change, but it doesn’t happen automatically, and changes will depend on the various types of ICT. Walled Garden technology – like conventional LMS’/VLEs – is never pedagogical neutral. Different types of technology have different kinds of affordances and the user’s possibility to change or modify intrinsic ways of communication and content creation is usually very limited. As long as the majority of formal educational institutions choose to rely on conventional technology for remediating their practices, I personally see little prospect of real change. There are, nonetheless, some positive aspects in all of this. Regardless of the rest of the elements in the model ICT-remediation – especially based on Web 2.0 – will force the system to open up and connect more with the outside world and as both learners and teachers become more ICT literate as a consequence of ICT permeating our daily practices, I do expect changes to occur.

At the MIL education ICT is part of the curriculum and even though we also could do with more change, we do try to keep an eye on new media and their teaching and learning potentials. This was also the reason why my PhD-project became concerned with new augmented/immersive media in the shape of the 3D virtual world, Second Life (SL). Based on my experience with remediating existing practice into SL, this kind of medium clearly has the potential of changing the Didactic Design. Without having gone thoroughly through my data, I do see some changes regarding especially teacher(s), learner(s), contexts and activities. These four elements will be foci points in my analysis of SL and are highlighted in the model below:

It is quite deliberate that I’ve maintained the ICT element in this version of the model, because the use of SL doesn’t diminish the need to consider ICT in general. Several kinds of 2D technologies are at play in-world, and as I still consider SL to be an emerging, and sometimes very unstable technology, I wouldn’t at this point in time recommend using SL as a stand-alone technology.

These models all focus on traditional didactic elements and I will use them (most likely in revised versions) for my general Didactic Analysis. The last version has a clear connection to another model I’ve developed, which focuses on People (teachers/learners), Places (contexts) and Practices (activities). Based on that PPP-model I’ll be able to focus on topics that are less common in Didactics and in this way I think the models will complement each other profitably.

/Mariis

Case MIL09: Student analysis of SL – part 4

Flower

The fourth and final synchronous analysis of SL in the MIL course was done by Flower and the theme for her presentation was that “we learn through experience”. Now, this is one of the rare occasions where the English language doesn’t fully cover the meaning of a Danish expression. In Danish we have two different words for “experience” – briefly explained one which deals with the more rational type of experience and the other which deals more with the emotional type – the latter – and the one Flower referred to – is perhaps best known in the Anglo-American sphere through the concept of “Experience economy”.  The two words are however not mutually exclusive and I’m afraid  the nuances are a bit more subtle than I’m able to explain … Anyway, the important point for Flower was that we learn through engaging experience and to illustrate this, she started out by taking us to Phantasy Acres, where we received Christmas gifts and went ice-skating.


Fitting objects can be tricky – and may change your appearance  radically .. especially if you’re a cat ;-)

It was highly interesting to observe how the majority of the students actually seemed to enjoy the ice-skating activity – especially since this kind of experience adds no value for me personally.  Activities like dancing, car-racing, paragliding, surfing and the like are quite popular in-world. Feel free to accuse me of being unimaginative, but animating the avatar never really appealed to me.  In my own defense, I think this has to do with the augmentation-immersion problem, and I think Flower nailed it, when she later in her presentation showed a photo of me and my co-facilitator, Mew as examples of an augmentationist vs. an immersionist.

Next stop was Pax Island, where Flower asked us to explore the beauty of the landscape and finish off by jumping into a waterfall before returning to the sandbox on The MIL Island. This experience also included Mew and one of the students trying out a kissing pose – something definitely NpIRL!

Back in the sandbox on the MIL Island it became quite obvious why Flower had put so much emphasis on “experience” as vehicle for learning. RL Flower is a speech therapist and works with clients/patients who have been diagnosed with ALS. My knowledge of ALS is very limited, but Flower explained that her clients slowly deteriorate,  the disease affects their motor skills, and some lose the ability to speak/communicate. Consequently all clients end up in wheel chairs and become more and more isolated from the world. Theoretically Flower is inspired by especially Peter Jarvis, who has (among other things) accentuated the relation between sensory input and learning. The optimal outcome for Flower, if she should chose to use SL, would be to provide her clients with different types of experiences of being “somewhere” literally NpIRL in a social setting also enabling her clients to communicate without oral language in real time.

Flower was one of the MIL students who really had a difficult time learning how to master SL and in the beginning of the course when I strongly encouraged all the students to do their analysis based on their work practice target groups, Flower was very skeptical. But much to my admiration she kept on coming in-world, fought to overcome the initial barriers and never gave up no matter the technical difficulties and personal frustrations and feelings of being incompetent. Her presentation was flawless, well founded theoretically and very sober with regard to the disadvantages of using SL, and as I told her I was really impressed and proud on her behalf. It is experiences like this that really highlights the joy and satisfaction of teaching!

Judging from Flower’s own reflections on the course the most important lessons that she learned came from her own experience as a “newbie” which in many ways placed her in the powerless and uncontrollable situation that her clients often must find themselves in.  And this is something I recognize from all of the four courses I’ve run in-world so far. Those students who are teachers RL benefit greatly from being newbies – from being learners …

/Mariis